Son per lei un zibaldone baritone aria download
- Son per lei un zibaldone
- 8 page sheet music download
- Baritone/Bass aria from the 18th century
- From La Furba e lo sciocco
- By Domenico Sarri
Range of Aria
Historical Background
Domenico Sarri (also known as Sarro) (1679–1744) was a Neapolitan composer of the late Baroque period. He flourished briefly in the early 18th century. Sarri was among the first prominent composers to emerge from the Naples conservatories, one of the most important musical centers of the time. He focused primarily on writing operas, including both opere serie and intermezzi. Stylistically he writes with clear melodic lines, expressive vocal writing, and a growing emphasis on dramatic clarity. He was especially admired for his skill in writing for the voice, balancing virtuosity with expressive text setting.
Sarri’s greatest strength lies in his intermezzi, where he displayed a natural gift for simple, singable melodies, vivid word painting, and humor. Moschetta e Grullo was written in 1727 and first performed between the acts of Siroe, rè di Persia, while La Furba e lo sciocco premiered in 1731 between the acts of Artemisia.
This is one of our favorite intermezzi to perform.
Intermezzi
Intermezzi, such as Lisetta e Astrobolo, are short, comic operas that are performed between the acts of the larger opera seria (serious opera). Typically, each act of the intermezzo is performed during the breaks between the acts of the main opera. These intermezzi usually involve just two main characters—a soprano and a bass—who carry out the comedic action.
Her schemes drive the comedy. Musically, her lines are light and agile. The bass is generally a buffo character and has a large vocal range and uses patter (fast vocal passages) which show humor. These domestic stories offer a delightful contrast to the tragedy of the main opera.
$3.00
Son per lei un zibaldone
Son per lei un zibaldone baritone aria download
Description
- Son per lei un zibaldone
- 8 page sheet music download
- Baritone/Bass aria from the 18th century
- From La Furba e lo sciocco
- By Domenico Sarri
Range of Aria
Historical Background
Domenico Sarri (also known as Sarro) (1679–1744) was a Neapolitan composer of the late Baroque period. He flourished briefly in the early 18th century. Sarri was among the first prominent composers to emerge from the Naples conservatories, one of the most important musical centers of the time. He focused primarily on writing operas, including both opere serie and intermezzi. Stylistically he writes with clear melodic lines, expressive vocal writing, and a growing emphasis on dramatic clarity. He was especially admired for his skill in writing for the voice, balancing virtuosity with expressive text setting.
Sarri’s greatest strength lies in his intermezzi, where he displayed a natural gift for simple, singable melodies, vivid word painting, and humor. Moschetta e Grullo was written in 1727 and first performed between the acts of Siroe, rè di Persia, while La Furba e lo sciocco premiered in 1731 between the acts of Artemisia.
This is one of our favorite intermezzi to perform.
Intermezzi
Intermezzi, such as Lisetta e Astrobolo, are short, comic operas that are performed between the acts of the larger opera seria (serious opera). Typically, each act of the intermezzo is performed during the breaks between the acts of the main opera. These intermezzi usually involve just two main characters—a soprano and a bass—who carry out the comedic action.
Her schemes drive the comedy. Musically, her lines are light and agile. The bass is generally a buffo character and has a large vocal range and uses patter (fast vocal passages) which show humor. These domestic stories offer a delightful contrast to the tragedy of the main opera.
