- Aure lievi
- 3 page sheet music download
- Soprano aria
- From Rosina e Lesbo
- By Leonardo Leo
- Link to MP3 piano accompaniment available here
Range of aria
Historical Background
Leonardo Leo (1694-1744) was an 18th-century composer from Naples, Italy. He had a prolific career as a royal organist, a teacher at the famed conservatories, and a leading composer for the stage.
What set Leo apart from his contemporaries was his ability to master two very different worlds:
- The Master of Counterpoint: Leonardo Leo was considered a master of counterpoint because he was the first of the Neapolitan school to bridge the gap between rigorous, ancient polyphony and the “modern” harmonic sensibilities of the 18th century.
- The Pioneer of Comedy: He was a key developer of Opera Buffa. He had a brilliant knack for capturing human wit and rhythmic energy, using smaller works like his intermezzi to experiment with the expressive, naturalistic vocal style that would eventually dominate European music.
By the time of his death in 1744, he had left behind a large body of work including over 60 operas, numerous oratorios, and a reputation as one of the most influential music educators of the Baroque era.
$3.25
Aure lievi
Italian arias download
Description
- Aure lievi
- 3 page sheet music download
- Soprano aria
- From Rosina e Lesbo
- By Leonardo Leo
- Link to MP3 piano accompaniment available here
Range of aria
Historical Background
Leonardo Leo (1694-1744) was an 18th-century composer from Naples, Italy. He had a prolific career as a royal organist, a teacher at the famed conservatories, and a leading composer for the stage.
What set Leo apart from his contemporaries was his ability to master two very different worlds:
- The Master of Counterpoint: Leonardo Leo was considered a master of counterpoint because he was the first of the Neapolitan school to bridge the gap between rigorous, ancient polyphony and the “modern” harmonic sensibilities of the 18th century.
- The Pioneer of Comedy: He was a key developer of Opera Buffa. He had a brilliant knack for capturing human wit and rhythmic energy, using smaller works like his intermezzi to experiment with the expressive, naturalistic vocal style that would eventually dominate European music.
By the time of his death in 1744, he had left behind a large body of work including over 60 operas, numerous oratorios, and a reputation as one of the most influential music educators of the Baroque era.





